Wednesday, 16 October 2013

inspiring women

Eleanor Catton, you guys. What the what?! I know prizes aren't everything blah blah blah (I say that as someone who hasn't won a prize that didn't include a draw since fourth form), but man, this is SOMETHING, and by something, I mean COOL. Catton is only twenty-eight, and The Luminaries is her second novel. What the what?! I KNOW. After finding out, I spent a little while rueing my squandered youth, too, but then I decided to be INSPIRED.

There's nothing I can tell you about Catton that isn't in the article, except that I think she's awesome, and I think her book is going to be awesome too (I haven't read it yet, and at my current rate of getting halfway througha book and then forgetting about it, it could be a while before I do). I don't hold to the bollocks "if she can, I can" attitude; it sounds nice, but completely ignores individual talent and everything else Malcolm Gladwell talks about in Outliers. As much as I'd love to win the Booker prize, it ain't going to happen. But I do think that we're all capable of doing SOMETHING awesome, and seeing someone else do their awesome thing (and be recognised with the MAN BOOKER PRIZE, WHAT!) is a really cool reminder of that, and an impetus to do it.

Go Eleanor!

Monday, 14 October 2013

my favourite things about Dunedin no.1

Since Spring arrived and the shop started to come together and I got to my second trimester and stopped feeling exhausted all the time, I started to really enjoy being in Dunedin. It wasn't Dunedin's fault it took a while; it took a while to get to know some of my best friends, plus, when we first moved here I was a little under the bell jar, if you know what I mean. Anyway, now I wake up and it's (usually) sunny, and I look out over the harbour and I feel glad to be here. I pick leaves out of my strawberry plants in my little garden, and think about my old apartment on Queen Street that didn't get any direct sunlight, and I feel happy. I have weird conversations with people in shops who seem to have all the time in the world to talk, and when uni kids make room to let me and my burgeoning stomach pass they actually look at me (not entirely Aucklanders' fault that doesn't happen much up there; we're constantly giving way because there are so many of us - but still, it's a nice effect of living in a small place), and holding up other drivers isn't the end of the world to them. I like it. So I'm going to start telling you about little things I like down here; places, people, whatever, and then you'll have lots of reasons to come down here, and maybe, if you're crazy like us, you'll be so enchanted you'll think about moving here... Maybe. Anyway, the first of my favourite things about Dunedin is Otago Access Radio (OAR), 105.4 FM.

The best things about OAR:
1. The variety within shows. I've heard '93 Till Infinity (which is NEVER played on the radio) played straight after an awesome country song I'd never heard before. Unless a show is dedicated to a particular style (like the excellent Jazz Cafe on a Thursday evening), you don't know what might be next. It might be great. It might be spectacularly bad. It's always unexpected.
2. The variety of shows. There's the Bridging The Gap, hosted by recovering addicts taking part in the Bridge programme, who share their stories and what certain songs mean to them (a lot of Tracy Chapman on this show). Voice Of Samoa, on a Monday, which begins with a rousing and beautiful recording of the Samoan anthem and then seems to be this woman who phones the host and then talks so fast he can't get a word in for the next half hour. Vinyl Vault, which features great music and which I always mean to listen to but then forget. Some show I listened to once hosted by a kid, where he interviewed his sixteen-year-old saxophone teacher (reading both prepared questions and responses) before they played a duet. And there's Phil's Trucking Show. Phil is a guy who speaks with a computer-generated voice, like Stephen Hawking, and he has his own radio show, during which he does shout-outs to truckies. I think that is one of the coolest things ever.
3. All of those things, again.

I like to imagine that people I see on the street or talk to in shops might have their own shows on OAR, and I like knowing that's not an unrealistic fantasy. I know there's no "real" NZ, but there are certainly people who are more real than others. OAR is full of these people; people who are artless and genuine. Which, in my (limited) experience, is a pretty good reflection of people in Dunedin. (Not me though. I am ALL smoke and mirrors. Come buy clothes from me!)

Friday, 11 October 2013

Birkin


What is it about Jane Birkin? I can't put my finger on it. Sometimes I wonder why she's the icon she is and if it's just style-blogger group-think, and then I'll find I've been looking at the same picture of her for what feels like an age. I feel like I want to lump her in with Marianne Faithfull (whom I detest) with her eyes and lashes, but she's not like her. I only know what's on wikipedia about her, yet I'm convinced by her face that she wasn't the passenger Faithfull was, but an adventurer, and, to borrow a phrase from a friend, that she paddled her own waka. I like her.

I also like how she didn't feel compelled to wear a bra. I frequently refer to my epilator as a tool of patriarchal oppression; I should save that title for my bras. Why are women's nipples considered so offensive, or so much more sexually suggestive than any other part of our bodies (including the rest of our breasts)? I'm too tired to think through how I want to say it exactly, but sometimes a bra is to a top as golf is to a walk. Let nipples be FREE.

Wednesday, 9 October 2013

tuberculosis and elections

I should say outright that I don't have any photos to show you today, and it's such a shame, because the shop looks SO GOOD. My fairy-godpainters have transformed the p lab into a beautiful TB ward. I picked TB because there's nothing sterile about it, but it looks so clean and pretty. Maybe it's nothing like a TB ward; it's just that with the white walls, wooden floors, and sun pouring in, it makes me think of the sanitarium in which old turkey-gizzards Buddy finds himself in The Bell Jar. In any case, the place is transformed. Today the skirting goes on, and tomorrow, the fun begins! By "fun" I mean cleaning and jobs where I can be of use (provided I don't repeat yesterday and find myself sleeping in the car for the last hour of activity; I blame the baby - it's very lazy and strong-willed). We'll also buy the dressmaker's dummy, for which/whom I need to find a name. I keep thinking of Miss Blossom in I Capture The Castle (one of the best books ever), but I don't think our mannequin will be quite as cheerful or helpful. Jimmy and I name most of our appliances (some pathetically comical, like our previous blender, Wendy) and they're always very nice and reliable, but anything with the slightest person-ness always seems to develop a bit of an attitude.

Anyway, in the absence of photos, I came here to talk a little bit about the imminent local elections. Today is the last day to post your vote, and all voting closes on Saturday. I just want to say PLEASE VOTE. This government is doing everything it can to take the demos out of democracy; the Anadarko Amendment and Amy Adams' proposal to make applications from oil companies "non-notified" being prime examples of this. When we have the chance to participate in what happens to this place, I really believe we have a responsibility to do so (I should clarify that by "we" I mean "people who care about more than only themselves", so I suppose I'm not entirely democratic either. A post-grad student was quoted in our local paper saying she wasn't going to vote because there's not enough information "around" and, after my blood calmed down to a gentle simmer, I decided maybe, in the spirit of meritocracy - which I know is wrong but is SO appealing - that it's best that such morons don't vote). Some things might be able to be eventually fixed; some things lost are lost forever.

I wasn't sure how to end this and then Changes came on the playlist I've had going while I've been writing, and it's so apt (but the record company won't allow playback from blogger). I think the council seems unimportant to some people, but it really isn't, especially not if you look at change as being something that starts with an individual. Our councils spend our rates. They (ideally) defend us against the government when necessary. And they determine the direction in which our cities and towns are headed. Unimportant? Maybe if you're dead. And even then, they can dig you up.
  

Tuesday, 1 October 2013

painting, and then talking (at length) about painting


Once again, the romance of film and literature has misled me. This time, it was Fried Green Tomatoes (At The Whistle-Stop Cafe). I forget how it happened in the book (which is really worth reading; I'm a huge fan of the movie, for which Fannie Flagg co-wrote the screenplay, but you gotta read the book), but in the movie, I distinctly remember Ruth, with child, painting and being as involved in the setting up of the cafe as everybody else. So naturally, I've been entertaining visions of myself; pregnant, smiling, ready for work in a fabulous thirties outfit - bathed in golden light, painting walls and sweeping floors. IT WAS A LIE. Or maybe it was just the times; I conveniently forgot about the scene where she gives birth to Buddy and is promptly handed a beer (I WISH). Anyway, painting today was not as I had expected. Firstly, I didn't do any for a while, because I didn't want to put on my awful painting clothes (trackpants with that gathered elastic at the ankles that looks a bit like the fabric tops people put on jam jars when they sell marmalade at fairs), so I did an OCD job of putting masking tape on the light switches and power points (they now look impressively mummified). Then I took Joe for a walk. Then it was lunchtime. I'm a slow eater, and by the time I finished, there were only forty minutes left to work. So I put on my painting outfit (and immediately needed to pee, but didn't want to leave the shop and have people see my jam jar ankles, so I held it), and commenced cutting in. I've cut in before; around the skirting in my niece's first bedroom - it took me about an hour to do about two metres, after which I was retired. This time I was much faster, but ten minutes in started to feel woozy, which I blame on the baby - not its fault, but also totally its fault. Maybe (it was hot). I took a break, then tried again, which was when the headache began. I walked around the room for a bit with my brush and paint to make the most of having poured paint into a Subway cup (and not wanting to appear to be shirking, or to reclaim the title given to me several times during renovation projects ie tits on a bull), and gave up.

I thought about deleting this, but one day it might be interesting to see what paint and pregnancy can do to a person's brain. (I should assure you that I was only around the paint for about twenty minutes, that I wore one of those mask things for a while until it made breathing difficult and which I now realise protects against dust not fumes, and that I won't be doing any painting tomorrow or any other day before next March - unless it's outdoors, or my nails.) There is nothing simple about anything. I should have known that from Fried Green Tomatoes.

Wednesday, 25 September 2013

heigh ho


This is Joe, and Pete, my excellent father-in-law, cleaning the walls ready for plastering and painting. Joe's help was more along the lines of moral support and eating a netball Pete found out on the roof, but I think it made a difference.

There's this scene in EuroTrip when the kids are in the tour-bus with Manchester United fans (including Vinnie Jones), getting a university education in binge-drinking and cussing, and Cooper says "Wow. You guys are on like a completely different level of swearing over here". (It's not my fault I know the movie so well; it was on loop at Aggies' the first time I stayed there, and the person in the room next door fell asleep with it playing very loudly... and I might have watched it several times as well.) Well, the previous tenant of the shop was on a completely different level of hygiene and cleanliness. I already described the empty premises as an abandoned p lab. Now the floors have been sorted (and look so great!), but the walls are so dirty it's kind of remarkable; sixteen years of grime, and dust, and what looks like coffee or maybe stout splashed around? - even near the CEILING. The CEILING! And there are HOLES. One where it looks as if the resourceful guy needed to use something with a cord that wouldn't reach into the other room, so he just knocked the cord through the wall. I'm actually really curious to see him (though knowing he exists also makes me want to take hand-sanitiser EVERYWHERE.)

But it's HAPPENING, you guys. Now that the crazy reception area has been knocked out, and the floors don't look like a layer of rolled-out chewing gum with sixteen years of dirt over the top of them, I can really see the shop. I see where the desk will go, and racks of clothes, and the chairs where we can sit and drink tea when you come to visit. There's lots of work to do, but it's getting EXCITING.

More updates to come!

Tuesday, 24 September 2013

the Marilyn in all of us


I'm choosing pictures for the shop walls and thought I'd show you this one of Marilyn, which I think is beautiful. There's a great shop in Paeroa called The Vintage & Retro Shop, owned and curated by a lovely woman with excellent taste - I bought one of my favourite dresses from her (as my hips get wider and my stomach starts to balloon, I pray to Hera that I will fit it again), and a blouse that makes me feel like Joan Harris when I wear it, and I would have bought a hat or two if my head wasn't so much bigger than hat-wearing women of the sixties. Anyway, one of the lovely things about this shop is the changing room. The dress I bought was... friendly, around the bum/hip area, and required me to shimmy into it. Usually, having to shimmy into something in a changing room embarrasses me. I imagine some kind of strange, localised natural disaster occurring, and the curtain flying off its rail to reveal me, trying desperately to squeeze myself into a piece of clothing, like some kind of grotesque reverse-birth, and people gasping, and the shop assistant running over to rescue the clothes and escort me off the premises. Not at The Vintage & Retro Shop. In the changing room, there are pictures of Marilyn - all around the mirror, in all her curved glory. And they makes you feel great! You see her, poured into her dresses, and you forgive yourself your undie-line; just don't wear any on the day! Any loose bits; I'm so skinny! Tight bits; I'm a siren! Etc.

I'm not sure I would have risked ripping the lining of the dress to get it over my hips if not for those pictures. And I certainly wouldn't have felt like the tightness was a-ok; I would have pretended that I would exercise before I wore it. As it was, I felt like Marilyn, and I never forgot the genius and kindness of the shop owner for putting those pictures in there. I probably don't need to add that there will be a couple of pictures of Marilyn in the changing room at Dogtown Vintage.

Monday, 23 September 2013

in which i try to discuss how i feel about fashion

I felt a bit weird after I wrote about fashion shows last week. I hate when bloggers won't commit to what they stand for in case they offend somebody (although I'm still trying to figure out how running a business, even with integrity, fits in with being myself), and I think it's something style bloggers are especially guilty of, which is why I've sworn off so many of them. However, I don't exactly know where I fit into this whole fashion thing either. Does anyone? I've been having discussions with my excellent, thoughtful, and politically-aware friend who works in fashion in Auckland, about how a person who cares about politics and the environment can engage in the fashion world on her own terms. It's something I've grappled with for a long time, and I don't seem to be able to come to any definite conclusions. Especially not without coming off as all hear ye! or judgemental. Which could easily be because I, um, am...

Anyway, after writing about the vapid nature of fashion shows, I happened to watch the episode of Sex And The City when Carrie walks for Dolce & Gabbana (to Cheryl Lynn, and falls off her gigantic heels; it's one of the most memorable episodes of the entire series), and I laughed, and I oohed, and I cheered inside, and I had fun that meant something. (I should remind everyone at this point that I live almost the length of the country away from my friends, and that three of my best girlfriends live overseas. Hanging out with Carrie, Miranda, Charlotte, and Samantha - my favourite - is healthier than pretending to myself that I really know Naomi's family on Love Taza. At least the SATC girls aren't real to anybody). It made me feel like kind of a heel, or worse, like this awful self-righteous pseudo-intellectual girl in one of my philosophy papers who always had her long mouse-coloured hair in one of those pony-tails that is supposed to show a lack of concern for anything as superficial as looks, whom I once heard talking to another girl about those awful chain-stores with their cheap clothes, especially that one, "what is it? Super?". Even though I was going through a phase of wearing an androgynous  ensemble of singlet, cigarette jeans, chucks, and hoody (you'd best believe I wore a decent push-up bra with that), I wanted to run out and hug all of the business students in their heels, minis, and oversized sunglasses, like long-lost kin. I don't want to be like her; I don't want to be all hateful and lofty about fashion and the people who love it. I love clothes. I love seeing people dressed well.

On the other hand, there's a lot about fashion that I can't be down with. There probably isn't time to go through all of things I don't like, but since I often talk disdainfully about mindless trend-following, one of them is the way trends work. I'd like to think that the inspiration for a season is a beautiful process, where a muse delivers a series of looks so meaningful and beautiful to the designer that they simply must share them with the world. However, all I see is an artificial capitalist system of generating want where there is no need. If fashion was like other forms of expensive art, which a person could keep up with without buying something every three months, it wouldn't seem so bad. But the way it's set up is that every season there is a set of new looks, and if you want to be part of the scene, you buy as many as you can. Maybe that's how you want to spend your money, in which case I won't judge you (that's a lie; it costs $15 a month to support Kidscan, and if you're spending $400 every two months on a new pair of shoes but claiming poverty when you see the ads, I AM judging you). I said on Friday that I liked this off-the -shoulder trend, and if I didn't already have such a top, maybe I would take advantage of their temporary availability to buy one. But every single season? I would feel like I was being played. And when I read style columns giving advice on where to spend or splurge (eg chain stores are the perfect place to try out those looks you're not sure of, or aren't here to stay), I feel so weird. These chain-stores are copying looks from international runways. Some people say that makes them accessible, and I can understand that. But they make me feel a bit like a joke is being made of us if we choose to take part in them. The pieces from which they're copied cost thousands of dollars each. They're not being made for "us"; they're being made for people who own most of the world's wealth, while "we" do most of the work. I'm assuming if you read this blog that you agree that's not cool; that the division of wealth in the world is unethical. So why would "we" want to dress like the people who benefit from our relative oppression? In cheap versions of what is being made for them? I feel as if doing so threatens to cheapen us. I'm not agreeing with what Miranda Priestly says to Andie about the colour of jumper she's wearing in The Devil Wears Prada (I thought that was the dumbest "ahh" moment ever; and as a turning point, made me think Andie was a certified idiot); if anything, Andie is subverting what Miranda or whoever meant when they picked that colour. People in Haiti wearing tshirts with crude American slogans are not cheapened by what they wear (and they certainly deserve better). I also recognise that some trends become part of a wider era, and that even someone who resists them probably follows some simply by osmosis; whether or not I have current trends in mind, there's a reason why I don't look at low-rise jeans at thrift shops. Although I like to think of that as finally knowing better. (Britney jeans 2002; the best of times, the worst of times.)

This wasn't supposed to have a clear conclusion, and I have lot more to say about what I love and hate about fashion, but not just now. I just wanted to make it clear that I don't really know where I fit, or if there's really an in-between. I might criticise shows, but that doesn't mean I wouldn't have a good time at one. I have a problem with the artificial origins of trends, but I'm not immune to them, though I try. All I'm sure of is that if you can do something good, you have a responsibility to do it, and that "good" isn't always straight-forward. I'm pretty sure you can care about fashion AND politics. And I really believe what Maya Angelou wrote: "Do the best you can until you know better. Then when you know better, do better."

Friday, 20 September 2013

friday round-up

1. The recent fashion weeks all over the place, particularly London and New York, have been getting a ton of coverage (as much for the people in the front row as the clothes), and yet I can't get interested in them. It could be because I'm distracted by the politics; the nonsensical defenses of racist castings, and the whole idea of fashion being a significant concern when the world is going to hell in a handbasket - not that I don't believe in art, beauty, or escapism, because I sincerely do. But the scene is making me feel more uneasy than usual; perhaps because it seems less about originality and more about trends (which, admittedly, is nothing new), and peopled by a group who have the power and resources to do so much good, and squander them. The fashion-related story I've enjoyed most in recent times was that of Russell Brand being kicked out of the GQ (pfft) awards for calling out Hugo Boss on his/its Nazi past (of which I was completely unaware). Unfortunately the reports were all in the vein of "how rude/inappropriate/irrelevant/blasphemous", but they've still brought to attention the awful beginnings of a powerful fashion house (not that this will change anyone's behaviour; people still shop at Ikea and join the Church of Jesus Christ of Latter Day Saints - NO JUDGEMENT), and I think that's a good thing. I'm way off topic now, but if you'd like to read what he said about his speech and the party, you can read it here. What he says about the party kind of reflects how I feel about fashion shows; there's certainly fun to be had, but taken too seriously, they're a bit scary (and I don't mean intimidating; I mean like Stepford-scary).

2. After all that, here are a couple of dresses from Rachel Comey that I quite like. I say "quite" because I don't love them, but if I had a snack, or a hope of fitting them in the foreseeable future, or I hadn't just said that about fashion, then maybe I would. WE WILL NEVER KNOW. All images from Style.com.





And, after bagging trends, I should say I like this '80s off-the-shoulder thing that's been happening. When I was a kid, that meant GLAMOUR, and I think that ideal still lives within me somewhere.

3. I gotta tell you, pregnancy is tiring stuff, man! By the time you've had breakfast, showered, and gotten dressed (I would add brushed teeth but for the fact it's hit 5pm several times before I've realised my teeth haven't seen my toothbrush yet...), you're so ready for a nap it's not funny. Two hours of normal-light activity and I'm starving, exhausted, and getting into that grumpy rut where I have a face like thunder and want to throw things, and it takes several hours, a litre of water, and a large meal to restore peace. And when the Huggies website said my skin would be glowing and lovely this week? They lied. Though I suppose the pimple on my forehead might have been described as "glowing" when it was at its peak.

4. It seems there was a bit of miscommunication about the shop, and the floors aren't finished yet, nor are they likely to be until Monday, so there's been no painting this week. There has, however, been buying, and there has been gardening. Yes friends, I'm a gardener. It's early days; I've had no time to kill anything yet, but I know how to weed now, and the fancy gardening things I was given before I left Auckland now have real, live dirt on them. As far as buying goes, today we finally went to Halls Bros (in what is now my favourite part of Dunedin - the old factories near the port, which are full of history and atmosphere) and it was like a little scrap-wonderland. If you're ever looking for interesting door/drawer-handles, light-shades, or windows (they have a million other things besides), you have to go there. It's not even dark and dingy like most salvage places; you can find awesome stuff without even having to earn it with sneezes and general discomfort.

5. A bit of disillusionment; I discovered yesterday that my former hero and half of what I thought the most wonderful couple in history was not who I thought he was, and having put up photos of him before on this blog, I have to own it here. John Lennon, you guys, was not good to women - he was violent and hateful towards them. It breaks my heart to say it and admit those feet are clay, but I'm one of the people with pitchforks out for Chris Brown, and I can't excuse Lennon's behaviour on the basis that I love his music and admire other things he did. It's a sad time in our house. It took a really sympathetic interview with Mojo (best magazine in the world) shortly before his death to make me feel anything but cold indifference with a dose of abhorrence for Ike Turner, and while Lennon had his share of problems, he wasn't a black man born in Mississippi in 1931 who witnessed the near-fatal beating of his father by a white mob when he was just a kid. I just sighed. "Man hands on misery to man..." etc.

6. I hate ending on an even number but I can't leave us all like that - I should probably apologise for the generally pessimistic tone of this entire post. It seems, in my fourteen and a half weeks of experience, that during pregnancy the highs are higher and the lows are LOW, and I've always been the emotional type anyway. So, even though it's a lazy way to end and I already employed it earlier in the week - a song, to make us happy again. Beside gardening, I recently decided that my newly-discovered/acknowledged love of disco can be described as an interest, and henceforth began my collection of disco favourites. This song isn't a new discovery, but it's one of the happiest disco songs I can think of, and I think disliking this song is akin to disliking candy floss, or something. Have a good weekend, and if you're in Dunedin - see you at the Port Chalmers Seafood Festival! I'll be the woman with the undone jeans, complaining about not being able to eat raw oysters, and fluctuating between crying at his songs and trying to get Don McGlashan to talk about the National government. The man is a champion. Gold-digger/Take The Money And Run...

Monday, 16 September 2013

the return

This feels a bit like getting in past curfew when I was younger (and had the energy and will to stay out late). I'd unlatch the gate like a ninja (although I suppose a real ninja would just have vaulted the fence), turn my key in the door painfully slowly, and only open it as wide as I had to, to avoid any noise from the street getting in. I'd slide through the gap, and close the door silently, ending the operation by flicking off the porch light, tip-toe to my bedroom, close the door, and congratulate myself.

And the next morning, Dad would still know the exact time I got in.

1. We're back in Dunedin, and have been for almost two weeks now. Mum is home and doing well. The shop is officially in my and Jimmy's names, and once the floors are finished (now that the demolition is done, they're being sanded and polished), we can move in and start painting and plastering. I have this feeling that I am going to be really good at plastering and painting, even though I've done both in the past, and they both required going over by my brother-in-law. I like to think he's just a perfectionist, although he points out that I had a beer in one hand and a brush in the other when I helped paint my nieces bedroom, which  may explain something. In the meantime, Jimmy is working overtime organising internet, electricity etc, getting samples of swing-tags for me to approve, and designing business cards and signs, and I'm sorting through clothes, and then napping, and then pondering capitalism, and how it seems fair to any sane person that the "assistant" does all of the work while the person they assist gets all the credit for pointing to a swing-tag sample, and choosing a colour scheme. Anyway, Thunderbirds are go, and if my painting has improved, we may be up and running in two weeks [insert gasp here]. Egad!!!

2. A few weeks ago, I mentioned a project we were working on that was taking a lot of energy, but couldn't say more about yet. (It's funny thinking of it as "a project"; I remember one of Jimmy's friends once describing me so.) Guys, the project is a baby. I'm just over fourteen weeks pregnant; due on St Patrick's Day next year. Selling clothes when I can't fit any of mine is going to be interesting; most of my wardrobe consists of high-waisted skirts and trousers which I haven't been able to do up for several weeks now. I'm thinking a witch's cape like Avery Jessup wore during her pregnancy might be in order. There seems to be an assumption among designers of maternity clothes that pregnant women all want to look like we live in the same small town, shop at the same chain store, and are borrowing our clothes from our mothers. What are the poor pregnant teenagers wearing? Guys, there's a gap in the market. Suffice to say, stretchy fabric is my new best friend. Along with naps. And snacks.

3. I don't have a third thing (which is a good indication that I need to feed again - did anyone else watch Juno again last night?), so I'll just play us out with the ever-awesome Patti Smith (and Springsteen).

Friday, 23 August 2013

a song for friday

This is really just a place-holder to say I'll be back. My Mum was admitted to hospital in the early hours of Sunday morning and has been there ever since.

It's funny how quickly you settle into a new routine, even if that routine changes every day. Every day we get a little slicker, and we feel less like we're waiting for something, and more like this is life, and we'll do it as well as we can.

I don't really know what to tell you; we hope she'll be able to come home next week sometime, but she's up and down, so we really don't know. It's scary, but it's not as bad as you might think; we are all together, ray of sunshine nieces included. Every night this week, some blessed soul has cooked us dinner (and there are 8 of us, most on the greedy side). Even the dogs have settled down a bit; they know that everyone will come home eventually. Everybody has a part, and we're all crucial to keeping each other afloat. That knowledge, and knowing that everything that can be done for her is being done, means that even though things aren't exactly right, there's still right in there.

Friday, 16 August 2013

friday round-up


1. More cabin love. It's from here, but I found it on my friend Huni's blog (which is one of my favourites on the whole wide internet). Among other things, she makes jewellery (which I someday hope to have in the shop), and is also one of the most stylish people I know.

2. Celine Kim (of my last post, although probably of about a million things before that) has a blog, and on that blog posted pictures of a wedding she photographed recently, and that wedding included the MOST BEAUTIFUL WEDDING DRESS THESE EYES HAVE EVER SEEN. In case the capitals didn't convey it: I want to go to there. And the bride's perfect hair! Celine's photos are beautiful; see the rest of them here. Do these photos make me wish I'd worn a bra on my wedding day? Yes, they do. Hindsight = 20/20.





3. I have to mention Lorde and Valerie Adams, making NZ, and particularly NZ women, look awesome this week. So nice to be in international news for something other than our regrettable PM's gaffes, or the messes happening in parliament...

4. Springsteen is coming. March 1, Mt Smart Stadium. I should be elated, but I'm not, because the timing is terrible. TERRIBLE!

5. Do you remember what real punk sounds like? As well as being righteously angry, it's the most joyful sounding music I can think of; the nearest anything comes is two tone (which is partly derived from punk anyway). I thought punk, and the joy of punk, was dead, and then Jimmy showed me this video of Diarrhea Planet covering Springsteen's ode to life and youth, Born To Run, and I believe again. Play it loud, and don't let the vocals put you off; by the end you will think they're perfect.

This is barely a speaking of which, but I never get to show off about this, so: Speaking of punk, did you know I've actually seen Mick Jones and Paul Simonon in concert? (If you whippersnappers are thinking duh, The Clash, may I inform you that Mick was fired a couple of months after I was born, the band disintegrated when I was three, and when you get to thirty you will realise that it is not that old, so this story IS a big deal for me. Would that I had seen them play live with Joe and Topper!) Well, that was a disappointing brag. Okay, how about this: Speaking of two tone, Jimmy and I saw The Specials (minus Jerry Dammers) last year, and they were AWESOME. That's better.

Wednesday, 14 August 2013

Celine and Eloise

These pictures of Celine Kim and her beautiful daughter Eloise were featured on Boots and Pine a while ago. I've looked at them a dozen times and just don't get sick of them, so I've decided to share them here. 

My favourite thing about them is the completely natural trust Eloise has in Celine; like she knows, without having to know, that every time she reaches for Celine's hand, it will be there.

I also love the clothes. I feel as if most of the features I see with women and their babies are totally unnatural (woman made-up and coiffed within an inch of her life, baby in brand-new adult-inspired get-up looking at woman with expression of who the hell are you?); a fantasy, obviously, but one that doesn't make me feel anything except a desire to go into the yard and wash my face with the hose. Celine's clothes are obviously hers, and tell me a lot about her. I love how light they are, and how I imagine they would move, and how effortlessly cool their effect is.



Tuesday, 13 August 2013

a song for a grey tuesday

There's something so satisfying about having weather to match your mood. Not that you can't feel energetic on a cold and cloudy afternoon, but it seems almost unnatural in its contrast to the dull colours, and the wind that chases you in, not out. (I feel very differently about storms, though, which breathe life I forget I have into me. I always felt some sympathy for Lady Macbeth; if I was going to do something really evil, I'd do it during a wicked storm, too, and more power to me if the horses went crazy.)

Anyway, we've printed out our agreement to lease, and I feel as if I should be smoking a cigar in my shirtsleeves while I sign it, smiling wryly at a camera. And then, with things really and truly underway, I should then be making lists, and sorting clothes, and filling in the cash-book I downloaded months ago, and generally being excited. But the weather! The weather says no! The weather says stay in bed, and while away the afternoon staring through the sky, and thinking about how beautiful grey can be. Am I bigger than the weather?!


Even if I was, I'm not bigger than the love between John Lennon and Yoko Ono. No cigars today. Just this song, and musings, and more chocolate than is good for me. (When you don't bother putting on pants, you stop worrying about being able to fit them; it's a win-win.)



All images from here.

Thursday, 8 August 2013

homebody

We've been home a week now, and as much as I miss my family and our friends in Auckland, I love being back in our house, surrounded by all of my bits and pieces. I love waking up to see the flowers I got for my birthday that somehow survived the intrepid trip home, and lying in bed in the late afternoon (hmm) and watching the sky darken over the harbour, and seeing Joe's little hoodie-clad body on the couch in the middle of the night. Coming home after a break away has renewed my vigour for planning, and decorating, and rearranging, and doing menial little things like wiping the condensation off the windows in the morning, so I've been very interested in all of the posts around the place featuring other people's houses. Interest in interiors (and exteriors) has been a notable point in my journey to grown-upness (sorry; adulthood was just too weird), and I don't think I'll ever get over the novelty of really caring where the table goes, and what stays on the coffee table. One of these days I'll take some new pictures of my house; I was given some beautiful, beautiful curtains in this fabric as a leaving/birthday present when we were in Auckland (ie leaving my old job, not leaving the city; I can be a pain, but I'm not that bad) that will go up this weekend. My ever-diminishing memory means I keep missing trademe auctions for new lamps and chairs for the shop... and has led me completely off track. The photos. Do excuse me.







Old Chum / A Beautiful Mess / Cabin Porn / Closet Visit / The Brick House / Cabin Porn

Tuesday, 6 August 2013

this just in!

This wasn't meant to be today's post but life happens, you guys. Guess what? TELEVISION is coming to New Zealand!!! Unfortunately, by "New Zealand" I mean "The Powerstation, Auckland" only, but considering I didn't even know they were still together (let alone touring), picking our biggest city makes sense, and The Powerstation is one of my favourite venues. October 24. I should reconcile myself now to the fact that we probably won't be able to swing it. I guess that's okay. They cared enough about us to come! That's enough for me! (Okay, not really - in fact, not even close, but if it's an amazing show I'm going to be really, really resentful. Fake it till you make it. Is a phrase I've never really made my mind up about.)

Also just in, an update on the shop premises; they hope to have all of the work done by September 1st, so if we learn from history and give them two weeks after that, we should be able to move in halfway through next month! Depending on how long we take to paint... hopefully I've sped up since I painted my bedroom bottle-green in fourth form. I spent most of the time sitting at the top of the ladder wearing my fairy wings listening to Radiohead, and gave up after one coat. God, that green was oppressive. Anyway, yuss and yuss! Let us bask in the Marquee Moon-light.

Monday, 5 August 2013

yesterday's news

Oh, hai guys!!!

Yes, I'm still alive, and so is this blog, in spite of the lying very still and looking like we weren't breathing for the last week. We're both very sorry; things have been ten kinds of CRAZY. Birthdays, family members in hospital, travel (okay, inter-island, barely two hours travel, but still - travel), sleep-deprivation, and a new project I can't share with you yet but is taking a lot of time and energy. CRAZY.

There have been so many things that have happened that I've wanted to post here but just haven't been able to make it, so no more time making oblique excuses. Let's catch up!

1. Return of BIG DAY OUT!!! Damn straight, I'm excited! I was one of those people who blamed fickle hipster youths (yeah, I'm thirty now; I say "youths") and Laneway for BDO's demise, and this past summer, Auckland was the poorer for it. Now not only is it back, Arcade Fire are headlining(!!!) AND it's (kind-of) walking distance from my parents' house. LIFE IS GOOD! The last BDO we went to was one of the best days I can remember in my entire life - IT WAS THAT GOOD. Blueberry daiquiris in the train. Painful carnival rides. Wolfmother killing Baba O'Reilly. Edward Sharpe & the Magnetic Zeros playing Home, in the rain while the small crowd all danced together like we were leftovers from Monterey (nb this was before Home blew up and the hipster youths got hold of it). Sia, resplendent in a portable picture frame, talking about the "brown note". And Iggy Pop. Vive la Big Day Out!

2. I didn't make it to the California exhibition, or any of my favourite op shops while I was in Auckland - things were THAT CRAZY. But don't cry for me.

3. There's a new Closet Visit! I'm not sure how new because it had been a while since I checked in, but anyway - Jeana's back! This time she visits Sophie Buhai, who has a very tidy house and wears pants beautifully. I really love a woman who wears pants beautifully.




4. The film festival hits Dunedin in a few days. If you feel like I've been talking about the festival forever, imagine how I feel - I didn't get to even one while we were in Auckland! Our programme is like the Auckland programme's half-eaten twin, but if we look at it in a glass half full kind of way, it includes two of our must-sees... Nah, I didn't convince myself either. We have worse weather! We need more movies!

5. I have completely forgotten any other news I might have had (the last point wasn't even news), so here's a song. Jimmy's been working on music for a new restaurant opening in Auckland soon, so there's been a lot of Southern blues, early rock, and Orleans jazz playing in the house. It's cacophonic, a bit messy, pretty dark at times, and just the best reflection of life I can think of. This is song you might recognise from Treme (which has the best music): the Rebirth Brass Band's Feel Like Funkin' It Up.

Monday, 29 July 2013

three things

It's my birthday eve today, so just a quick post; I have celebrating to do! Today's celebrations include trips to some of my favourite Auckland op shops, and watching the Judy Garland version of A Star Is Born. Oh how I love Judy. Almost as much as I love birthdays. ALMOST.

1. More Pretty In Pink. I wasn't a huge fan of Andie's clothes (maybe partly because I remember when people really wore beige stockings), but I really liked Iona's. Maybe my thirties will be the time to start experimenting with wigs?





2. I've been hoping to make it to California Design, 1930-1965: Living in a Modern Way at the Auckland Art Gallery since we arrived - it looks great! The exhibition includes furniture by Charles and Ray Eames, and graphics by Saul Bass. I love mid-century Californian design, which can be traced back to the first time I saw The Parent Trap as a kid, and fell in love with Mitch's house. The house deserves its own post (it's my dream-house, and the day I read it was built on a sound-stage was a notable step in my journey to adulthood). If I make it to the exhibition, I'll let you know if it deserves its own post too.

3. Cher (and Greg Allman), getting the jump on my birthday celebrations at a Doobie Brothers party wbw (way back when; is that already an acronym in use, or did I just start something?). Photo from Old Loves, which always has great photos of some of my favourite people. I don't know what she's wearing, but I LOVE it. Cher and Judy Garland = INSPIRATIONS.


Friday, 26 July 2013

film inspiration: Duckie Dale


Perhaps because we didn't always have a tv and vcr, and my sisters and I were readers from, well, the time we could read, there are a lot of 80s classics I didn't see (Adventures In Babysitting a notable exception; I wanted to be Chris so badly!). I've caught up on some, and totally dug them: Dirty Dancing, Die Hard, Stand By Me. I've caught up on some and had to turn them off because, without the lens of sentimentality, they were awful: The Goonies (don't hate me!), The Big Blue. And there are some I still haven't seen: Footloose, Top Gun, Gremlins (although my sister had the movie book, and it scared the shit out of me).

So until a couple of weeks ago, I hadn't seen Pretty In Pink, and to tell the truth, was a little embarrassed about it. I actually gave it to a close friend for her birthday one year, even though I totally knew it implied I'd seen it and was saying - look, we're so old, but remember when we weren't? Pathetic! But I digress. Finally I watched it, and I was... underwhelmed. Maybe I'm too old for it now, but I just didn't connect with anybody (except maybe the Dad, heaven help me), and I felt as if some scenes went on and on, and then sometimes as if a scene had been missed. However, what I did love was Duckie's wardrobe.And his lip-synced performance of Try A Little Tenderness - the best! There are boys around who dress similarly but there's just something kind of hollow about it; like they're New Wave simulacra? I don't know; there's just something genuine about the way Duckie dresses. His shoes are beaten up and dirty because he doesn't have much money, and he rides a bike in them... and he's Duckie. By the way, did anyone else think Andie ruined two good dresses? Okay, sorry, sorry. Happy Friday! My first Friday in months at my pub in Auckland... Hurray!




"It's the end of the month, they're out of toilet seat covers!"












"It's called a sense of humour; you should get one, they're nice."




"I'm not particularly concerned with whether or not you like me, because I live to like you..."