Wednesday 16 October 2013

inspiring women

Eleanor Catton, you guys. What the what?! I know prizes aren't everything blah blah blah (I say that as someone who hasn't won a prize that didn't include a draw since fourth form), but man, this is SOMETHING, and by something, I mean COOL. Catton is only twenty-eight, and The Luminaries is her second novel. What the what?! I KNOW. After finding out, I spent a little while rueing my squandered youth, too, but then I decided to be INSPIRED.

There's nothing I can tell you about Catton that isn't in the article, except that I think she's awesome, and I think her book is going to be awesome too (I haven't read it yet, and at my current rate of getting halfway througha book and then forgetting about it, it could be a while before I do). I don't hold to the bollocks "if she can, I can" attitude; it sounds nice, but completely ignores individual talent and everything else Malcolm Gladwell talks about in Outliers. As much as I'd love to win the Booker prize, it ain't going to happen. But I do think that we're all capable of doing SOMETHING awesome, and seeing someone else do their awesome thing (and be recognised with the MAN BOOKER PRIZE, WHAT!) is a really cool reminder of that, and an impetus to do it.

Go Eleanor!

Monday 14 October 2013

my favourite things about Dunedin no.1

Since Spring arrived and the shop started to come together and I got to my second trimester and stopped feeling exhausted all the time, I started to really enjoy being in Dunedin. It wasn't Dunedin's fault it took a while; it took a while to get to know some of my best friends, plus, when we first moved here I was a little under the bell jar, if you know what I mean. Anyway, now I wake up and it's (usually) sunny, and I look out over the harbour and I feel glad to be here. I pick leaves out of my strawberry plants in my little garden, and think about my old apartment on Queen Street that didn't get any direct sunlight, and I feel happy. I have weird conversations with people in shops who seem to have all the time in the world to talk, and when uni kids make room to let me and my burgeoning stomach pass they actually look at me (not entirely Aucklanders' fault that doesn't happen much up there; we're constantly giving way because there are so many of us - but still, it's a nice effect of living in a small place), and holding up other drivers isn't the end of the world to them. I like it. So I'm going to start telling you about little things I like down here; places, people, whatever, and then you'll have lots of reasons to come down here, and maybe, if you're crazy like us, you'll be so enchanted you'll think about moving here... Maybe. Anyway, the first of my favourite things about Dunedin is Otago Access Radio (OAR), 105.4 FM.

The best things about OAR:
1. The variety within shows. I've heard '93 Till Infinity (which is NEVER played on the radio) played straight after an awesome country song I'd never heard before. Unless a show is dedicated to a particular style (like the excellent Jazz Cafe on a Thursday evening), you don't know what might be next. It might be great. It might be spectacularly bad. It's always unexpected.
2. The variety of shows. There's the Bridging The Gap, hosted by recovering addicts taking part in the Bridge programme, who share their stories and what certain songs mean to them (a lot of Tracy Chapman on this show). Voice Of Samoa, on a Monday, which begins with a rousing and beautiful recording of the Samoan anthem and then seems to be this woman who phones the host and then talks so fast he can't get a word in for the next half hour. Vinyl Vault, which features great music and which I always mean to listen to but then forget. Some show I listened to once hosted by a kid, where he interviewed his sixteen-year-old saxophone teacher (reading both prepared questions and responses) before they played a duet. And there's Phil's Trucking Show. Phil is a guy who speaks with a computer-generated voice, like Stephen Hawking, and he has his own radio show, during which he does shout-outs to truckies. I think that is one of the coolest things ever.
3. All of those things, again.

I like to imagine that people I see on the street or talk to in shops might have their own shows on OAR, and I like knowing that's not an unrealistic fantasy. I know there's no "real" NZ, but there are certainly people who are more real than others. OAR is full of these people; people who are artless and genuine. Which, in my (limited) experience, is a pretty good reflection of people in Dunedin. (Not me though. I am ALL smoke and mirrors. Come buy clothes from me!)

Friday 11 October 2013

Birkin


What is it about Jane Birkin? I can't put my finger on it. Sometimes I wonder why she's the icon she is and if it's just style-blogger group-think, and then I'll find I've been looking at the same picture of her for what feels like an age. I feel like I want to lump her in with Marianne Faithfull (whom I detest) with her eyes and lashes, but she's not like her. I only know what's on wikipedia about her, yet I'm convinced by her face that she wasn't the passenger Faithfull was, but an adventurer, and, to borrow a phrase from a friend, that she paddled her own waka. I like her.

I also like how she didn't feel compelled to wear a bra. I frequently refer to my epilator as a tool of patriarchal oppression; I should save that title for my bras. Why are women's nipples considered so offensive, or so much more sexually suggestive than any other part of our bodies (including the rest of our breasts)? I'm too tired to think through how I want to say it exactly, but sometimes a bra is to a top as golf is to a walk. Let nipples be FREE.

Wednesday 9 October 2013

tuberculosis and elections

I should say outright that I don't have any photos to show you today, and it's such a shame, because the shop looks SO GOOD. My fairy-godpainters have transformed the p lab into a beautiful TB ward. I picked TB because there's nothing sterile about it, but it looks so clean and pretty. Maybe it's nothing like a TB ward; it's just that with the white walls, wooden floors, and sun pouring in, it makes me think of the sanitarium in which old turkey-gizzards Buddy finds himself in The Bell Jar. In any case, the place is transformed. Today the skirting goes on, and tomorrow, the fun begins! By "fun" I mean cleaning and jobs where I can be of use (provided I don't repeat yesterday and find myself sleeping in the car for the last hour of activity; I blame the baby - it's very lazy and strong-willed). We'll also buy the dressmaker's dummy, for which/whom I need to find a name. I keep thinking of Miss Blossom in I Capture The Castle (one of the best books ever), but I don't think our mannequin will be quite as cheerful or helpful. Jimmy and I name most of our appliances (some pathetically comical, like our previous blender, Wendy) and they're always very nice and reliable, but anything with the slightest person-ness always seems to develop a bit of an attitude.

Anyway, in the absence of photos, I came here to talk a little bit about the imminent local elections. Today is the last day to post your vote, and all voting closes on Saturday. I just want to say PLEASE VOTE. This government is doing everything it can to take the demos out of democracy; the Anadarko Amendment and Amy Adams' proposal to make applications from oil companies "non-notified" being prime examples of this. When we have the chance to participate in what happens to this place, I really believe we have a responsibility to do so (I should clarify that by "we" I mean "people who care about more than only themselves", so I suppose I'm not entirely democratic either. A post-grad student was quoted in our local paper saying she wasn't going to vote because there's not enough information "around" and, after my blood calmed down to a gentle simmer, I decided maybe, in the spirit of meritocracy - which I know is wrong but is SO appealing - that it's best that such morons don't vote). Some things might be able to be eventually fixed; some things lost are lost forever.

I wasn't sure how to end this and then Changes came on the playlist I've had going while I've been writing, and it's so apt (but the record company won't allow playback from blogger). I think the council seems unimportant to some people, but it really isn't, especially not if you look at change as being something that starts with an individual. Our councils spend our rates. They (ideally) defend us against the government when necessary. And they determine the direction in which our cities and towns are headed. Unimportant? Maybe if you're dead. And even then, they can dig you up.
  

Tuesday 1 October 2013

painting, and then talking (at length) about painting


Once again, the romance of film and literature has misled me. This time, it was Fried Green Tomatoes (At The Whistle-Stop Cafe). I forget how it happened in the book (which is really worth reading; I'm a huge fan of the movie, for which Fannie Flagg co-wrote the screenplay, but you gotta read the book), but in the movie, I distinctly remember Ruth, with child, painting and being as involved in the setting up of the cafe as everybody else. So naturally, I've been entertaining visions of myself; pregnant, smiling, ready for work in a fabulous thirties outfit - bathed in golden light, painting walls and sweeping floors. IT WAS A LIE. Or maybe it was just the times; I conveniently forgot about the scene where she gives birth to Buddy and is promptly handed a beer (I WISH). Anyway, painting today was not as I had expected. Firstly, I didn't do any for a while, because I didn't want to put on my awful painting clothes (trackpants with that gathered elastic at the ankles that looks a bit like the fabric tops people put on jam jars when they sell marmalade at fairs), so I did an OCD job of putting masking tape on the light switches and power points (they now look impressively mummified). Then I took Joe for a walk. Then it was lunchtime. I'm a slow eater, and by the time I finished, there were only forty minutes left to work. So I put on my painting outfit (and immediately needed to pee, but didn't want to leave the shop and have people see my jam jar ankles, so I held it), and commenced cutting in. I've cut in before; around the skirting in my niece's first bedroom - it took me about an hour to do about two metres, after which I was retired. This time I was much faster, but ten minutes in started to feel woozy, which I blame on the baby - not its fault, but also totally its fault. Maybe (it was hot). I took a break, then tried again, which was when the headache began. I walked around the room for a bit with my brush and paint to make the most of having poured paint into a Subway cup (and not wanting to appear to be shirking, or to reclaim the title given to me several times during renovation projects ie tits on a bull), and gave up.

I thought about deleting this, but one day it might be interesting to see what paint and pregnancy can do to a person's brain. (I should assure you that I was only around the paint for about twenty minutes, that I wore one of those mask things for a while until it made breathing difficult and which I now realise protects against dust not fumes, and that I won't be doing any painting tomorrow or any other day before next March - unless it's outdoors, or my nails.) There is nothing simple about anything. I should have known that from Fried Green Tomatoes.